2020-2022, people experience from panic to revitalization. My vast chunk of studio practice is incarceration. During the two years, extreme introspection incubated questions and thoughts of family origin and self-consciousness. I tuck the consequences and processes from incessant thinking into the wax and cement I used. Additionally, my cognition of material language is outstanding in this period. They seem like the first loudness of spark, which inaugurated my new era of art.
2020 - 2022
2021, ouache, cement, red paraffin, plexiglass. Dimensions variable Contemporary people are like building materials with different shapes, numbly giving themselves for some yearning.
2021, ouache, cement, red paraffin, plexiglass. Dimensions variable Everything will eventually return to dust, some will be sealed or buried, some scattered around. Their traumas are also very different, growing or dying in this soil, seemingly firm on the outside, but extremely fragile on the inside.
2021, ouache, cement, red paraffin, plexiglass. Dimensions variable
2021, ouache, cement, red paraffin, plexiglass. Dimensions variable Contemporary people are like building materials with different shapes, numbly giving themselves for some yearning.
2020, Transparent resin, cement, red paraffin, rubble paper Dimensions variable The modern world is a grey space of material building components, and an empty and invisible cultural state suppresses the cold world. Flesh and blood spread out but never flows outward.
2020, Transparent resin, cement, red paraffin, rubble paper Dimensions variable The stone bricks that built the world are like everyone's soul, crushed by the invisible power and gushing out blood, but still relying on this space overplayed.
2020, Transparent resin, cement, red paraffin, rubble paper Dimensions variable
2020, Transparent resin, cement, red paraffin, rubble paper Dimensions variable The modern world is a grey space of material building components, and an empty and invisible cultural state suppresses the cold world. Flesh and blood spread out but never flows outward.
2021, Soil, cement, red paraffin, wire Dimensions variable The social relationship of contemporary people is often like an inevitable connection, and the social soil is always not as happy and simple as imagined.
2021, Soil, cement, red paraffin, wire Dimensions variable The social relationship of contemporary people is often like an inevitable connection, and the social soil is always not as happy and simple as imagined.
2021, Cement 8' x 12' x 20' Bricks growing like trees develop with flesh and blood. They are like three plants that are preparing to germinate, Â but are hard and inclined in different ways Columns are surrounded by two sides of the space, like a kind of growth breaking through the space. The L-shaped and square stone slab is like the "encirclement" in Chinese Go.
2021, Cement 8' x 12' x 20' Even if it is not airtight, it still entangles and encircles the objects in the middle. The upward growth of cement, irregular texture, wooden strip, round base. Even they are changeable, they can't escape the influence of the original family.
2021, Cement 8' x 12' x 20' However, they still grow their own posture like trees. .
2021, Cement 8' x 12' x 20' Bricks growing like trees develop with flesh and blood. They are like three plants that are preparing to germinate, Â but are hard and inclined in different ways Columns are surrounded by two sides of the space, like a kind of growth breaking through the space. The L-shaped and square stone slab is like the "encirclement" in Chinese Go.
2020, Cement, rubble cardboard 15" x 15" x 25" It used to be that people used cement to build high-rise buildings, but contemporary people seem to be constantly using the act of sending and receiving express delivery to establish their lifestyle.
2020, Cement, rubble cardboard 15" x 15" x 25" The rubble paper transforms from waterproof and toughness to deformation and then blends into cement, thus forming a low but harder empire.
2020, Cement, rubble cardboard 15" x 15" x 25"
2020, Cement, rubble cardboard 15" x 15" x 25" It used to be that people used cement to build high-rise buildings, but contemporary people seem to be constantly using the act of sending and receiving express delivery to establish their lifestyle.
2021, Cement, red paraffin. 8" x 12' The bricks represent bases and milestones.
2021, Cement, red paraffin. 8" x 12' The effect generated by the fusion of building materials and red paraffin, which represents blood, flesh and bones, is also unique.
2021, Cement, red paraffin. 8" x 12' The bricks represent bases and milestones.
2020, Cement, Paraffin wax 20" x 20" x 30" I pour cement into the bottle for somersaulting form-work to make the internal space like a architecture, which is like the process of parents forming a family.
2020, Cement, Paraffin wax 20" x 20" x 30" The red paraffin is also like a form of flesh and blood, blocking and concealing the family of origin, making this family fortress influence me constantly in a vague and loud form, but it is very difficult to see its real face and cement texture.
2020, Cement, Paraffin wax 20" x 20" x 30"
2020, Cement, Paraffin wax 20" x 20" x 30" I pour cement into the bottle for somersaulting form-work to make the internal space like a architecture, which is like the process of parents forming a family.